Apple mainstage logo12/12/2023 To create this unique sound, I rented a violin, recorded myself playing badly, and created a custom, playable virtual instrument for that patch in the show. Another example is if a unique sound is required that doesn't already exist as a virtual instrument that can be sourced or purchased, such as in "Matilda" which calls for a School Violin to sound like a student playing the violin with poor technique. Scores may also require more complicated programming, for example, harp glissandos may need to be pre-recorded as a "trigger" at the correct tempo or using a plug-in to play the correct glissando in real time with proper pedal settings to sound like an authentic performance. There can be 50 to 500 patches, or more, depending on the show. For example, a score may indicate to use Flute in the right hand and Bass Clarinet in the left hand as patch #1, then Piano for a few bars as patch #2, then Harp as patch #3, and so on. I have a friend that uses it exclusively for performing keys live, where he routes things like his keys dry sound to two outputs on his interface, wet effects to another two outputs, a third set of outputs to extra stuff (pre-programmed pads, backing tracks, and external instruments), and a fourth to reroute to outboard effects. Each indication is programmed as "patches", a term originating from the patching of cables between different inputs/output on synthesizers to produce the sounds, and each patch must be created, designed, and organized so they can be used on demand and/or chronologically through a performance. MainStage is geared toward live performance. In these keyboard scores are indications for instruments and sounds that may be unique to electronic keyboards and synths, enhancements to the orchestral sound of the live musicians, covering missing live instruments whether by the intent of the orchestrator or due to a reduced arrangement, or for sound effects. Most musicals today include keyboard parts requiring programming to perform the score.
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